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elapsesDudes, I have never really been a TV on DVD kind of person. I'm sure I own significantly more of it than your average non-fandomer, but my collection is mostly made up of gifts and "it was on sale at Target!" stuff. Furthermore, watching them is a pretty infrequent activity for me -- usually it's one episode at a time or a "HEY [FRIEND], YOU'D TOTALLY LOVE THIS SHOW" kind of situation. Until September 2009, I guess! I was sick earlier in the month and I developed a paralyzing addiction to background noise. Uh.
Anyway that lead to this week: the first time I have watched season 1 of the O.C. since our terrible horrible breakup during season 4 (which is a long and boring story and a couple of you had to live through it the first time, but suffice to say I am perhaps bitterer about the O.C.'s demise into suckitude than any other TV thing -- not because it was worse, but because we were in a loving monogamous relationship once upon a time, the O.C. and I, and it just hurt me and hurt me and I just took it until finally I couldn't take it anymore. I was also fifteen, so there's that). I thought about breaking strike and rewatching it this summer, but then I was distracted by... other things.
GOD, KIIIIIIIIRSTEN! Sometimes I think maybe she is my very favorite character of them all (but then there's Summer, and Ryan, and Saaaaandy and when I first saw season 1 Seth was actually definitely my favorite although I like him so much less after that he doesn't even really deserve to be on this list... IT IS SO VERY HARD TO DECIDE. All the same, Kirsten might still be my number one). I am in love with the way she's treated during season 1, where they hint at these things in her character and in her past -- her potential alcoholism, her abortion, her relationship with her parents, and, in this scene in the pilot, her rebellious college phase.
There's this episode in season 4 that is a frame for a bunch of flashbacks -- 4x13, The Case of the Franks*. I remember seeing the Sandy and Kirsten flashback with my sister when it aired (we watched season 4 in snatches, during commercial breaks of some other show that was on in that timeslot, because even once completely disillusioned we couldn't give it up cold turkey) and exclaiming that young Sandy was impossibly perfect and wtf were they thinking picking that girl for Kirsten. Anyway the memory of that made me download it yesterday, just to see:
Oh, man, the scene. Such mixed feelings! First of all it is well-lit and charming and oh my god the actors are so right for this (I take back those icky feelings Hannah and I had about the Kirsten actress, I don't know what changed but her face is perfect and I LOVE HER) that I just want to burn their sweet little grinning faces into my memory, but. But.
When the Rebecca Bloom plotline was airing, I was consumed with the idea that Rebecca was Sandy's type. So many girls he liked must've been like that, jewish and absurdly socially conscious, and completely and totaly different from the WASPy trust fund girl he loved enough to marry. But on that note I can't imagine that Sandy Cohen would have looked at this girl -- this pretty blonde who guesses she caught Republicanism from her parents, a month distant from her relationship with golden boy Jimmy Cooper -- and so immediately wanted to take her out to coffee. But more than that I hate the idea that the Kirsten Nichol who lived in a mail truck and stank of patchouli and hated her parents existed because during her first week of college, Sandy Cohen gave her a Mondale/Ferraro button and changed the path of her existence.
In the end it doesn't matter because I have gotten to the point where I reject most of the series' canon as my reality -- that's the nice thing about fictional characters, I guess, is that you can believe in as much of them as you want to. My Kirsten Cohen can end up in her mail truck because her super told her she couldn't live there anymore if he could smell her damn marijuana from the hallway, she can hate her parents even as their money pays her Berkeley tuition (she can't bring herself to apply for scholarships, she's in that socialist phase where she believes since she can pay all of it she should pay all of it), all while somehow maintaining that effortless and slightly snobby Kirsten Cohen grace. That can be the girl my Sandy Cohen falls for -- that inalienable layer of preppiness something he can't help but find charming rather than the first thing he sees of her. I also think my Sandy and Kirsten take their boys and leave Newport (maybe to go back to Berkeley, maybe not) long before they would on the show -- probably when the Newport Group ceases to be profitable, as implied at the end of season 1, because my Cohen family does not have to sustain a dramatic television show for another couple of seasons, and can go off and enjoy being happy.
IN CONCLUSION, WHY IS THERE NOT MOUNTAINS OF FIC ABOUT THIS AND THEM? Is Cohens + 1 not the reason the O.C. was great in the first place? Ugh fandom, you would stick to Ryan/Seth and Ryan/Summer.
*THIS IS UNRELATED TO MY SANDY/KIRSTEN THEME BUT FOR THE RECORD, I am still upset that in this episode they gave the "I wish I were a mermaid poem" to Taylor. Like, I get what the episode is trying to tell us -- that Seth built up this ideal Summer and she was not actual Summer, but um, DUH??? The real process of Seth Cohen getting over the fantasy and under the real girl begins in "The Escape", when he stops prattling in her presence and talks back, I don't need to be told that he came to love the real Summer rather than the conceptual girl three seasons later. But what it really does is ruin the moment when she is overcome that someone has paid attention to her enough, year after year after year, that they noticed her poem. It's still sweet that he knows it because he thought it was hers, whatever, but it isn't enough for her to initiate the kiss. I was pissed off when I read the spoilers and I AM PISSED OFF NOW.
In conclusion, I totally did not realize until today that Rufus Humphrey's band name is an O.C. homage.
Anyway that lead to this week: the first time I have watched season 1 of the O.C. since our terrible horrible breakup during season 4 (which is a long and boring story and a couple of you had to live through it the first time, but suffice to say I am perhaps bitterer about the O.C.'s demise into suckitude than any other TV thing -- not because it was worse, but because we were in a loving monogamous relationship once upon a time, the O.C. and I, and it just hurt me and hurt me and I just took it until finally I couldn't take it anymore. I was also fifteen, so there's that). I thought about breaking strike and rewatching it this summer, but then I was distracted by... other things.
Sandy: You remember when we were twenty-two, what'd you say, you'd said you'd never, you'd never be like your parents, you'd never have their life.
Kirsten: I was twenty-two, I stank of patchouli, and I lived in the back of a mail truck.
Sandy: And you were fun. And rebellious. And... and you married me.
GOD, KIIIIIIIIRSTEN! Sometimes I think maybe she is my very favorite character of them all (but then there's Summer, and Ryan, and Saaaaandy and when I first saw season 1 Seth was actually definitely my favorite although I like him so much less after that he doesn't even really deserve to be on this list... IT IS SO VERY HARD TO DECIDE. All the same, Kirsten might still be my number one). I am in love with the way she's treated during season 1, where they hint at these things in her character and in her past -- her potential alcoholism, her abortion, her relationship with her parents, and, in this scene in the pilot, her rebellious college phase.
There's this episode in season 4 that is a frame for a bunch of flashbacks -- 4x13, The Case of the Franks*. I remember seeing the Sandy and Kirsten flashback with my sister when it aired (we watched season 4 in snatches, during commercial breaks of some other show that was on in that timeslot, because even once completely disillusioned we couldn't give it up cold turkey) and exclaiming that young Sandy was impossibly perfect and wtf were they thinking picking that girl for Kirsten. Anyway the memory of that made me download it yesterday, just to see:
Oh, man, the scene. Such mixed feelings! First of all it is well-lit and charming and oh my god the actors are so right for this (I take back those icky feelings Hannah and I had about the Kirsten actress, I don't know what changed but her face is perfect and I LOVE HER) that I just want to burn their sweet little grinning faces into my memory, but. But.
When the Rebecca Bloom plotline was airing, I was consumed with the idea that Rebecca was Sandy's type. So many girls he liked must've been like that, jewish and absurdly socially conscious, and completely and totaly different from the WASPy trust fund girl he loved enough to marry. But on that note I can't imagine that Sandy Cohen would have looked at this girl -- this pretty blonde who guesses she caught Republicanism from her parents, a month distant from her relationship with golden boy Jimmy Cooper -- and so immediately wanted to take her out to coffee. But more than that I hate the idea that the Kirsten Nichol who lived in a mail truck and stank of patchouli and hated her parents existed because during her first week of college, Sandy Cohen gave her a Mondale/Ferraro button and changed the path of her existence.
In the end it doesn't matter because I have gotten to the point where I reject most of the series' canon as my reality -- that's the nice thing about fictional characters, I guess, is that you can believe in as much of them as you want to. My Kirsten Cohen can end up in her mail truck because her super told her she couldn't live there anymore if he could smell her damn marijuana from the hallway, she can hate her parents even as their money pays her Berkeley tuition (she can't bring herself to apply for scholarships, she's in that socialist phase where she believes since she can pay all of it she should pay all of it), all while somehow maintaining that effortless and slightly snobby Kirsten Cohen grace. That can be the girl my Sandy Cohen falls for -- that inalienable layer of preppiness something he can't help but find charming rather than the first thing he sees of her. I also think my Sandy and Kirsten take their boys and leave Newport (maybe to go back to Berkeley, maybe not) long before they would on the show -- probably when the Newport Group ceases to be profitable, as implied at the end of season 1, because my Cohen family does not have to sustain a dramatic television show for another couple of seasons, and can go off and enjoy being happy.
IN CONCLUSION, WHY IS THERE NOT MOUNTAINS OF FIC ABOUT THIS AND THEM? Is Cohens + 1 not the reason the O.C. was great in the first place? Ugh fandom, you would stick to Ryan/Seth and Ryan/Summer.
*THIS IS UNRELATED TO MY SANDY/KIRSTEN THEME BUT FOR THE RECORD, I am still upset that in this episode they gave the "I wish I were a mermaid poem" to Taylor. Like, I get what the episode is trying to tell us -- that Seth built up this ideal Summer and she was not actual Summer, but um, DUH??? The real process of Seth Cohen getting over the fantasy and under the real girl begins in "The Escape", when he stops prattling in her presence and talks back, I don't need to be told that he came to love the real Summer rather than the conceptual girl three seasons later. But what it really does is ruin the moment when she is overcome that someone has paid attention to her enough, year after year after year, that they noticed her poem. It's still sweet that he knows it because he thought it was hers, whatever, but it isn't enough for her to initiate the kiss. I was pissed off when I read the spoilers and I AM PISSED OFF NOW.
In conclusion, I totally did not realize until today that Rufus Humphrey's band name is an O.C. homage.
